by John Adcock
The Victorian era detective story began with the
publication in the April 1841 issue of Graham's
Magazine of Edgar Allan Poe’s The
Murders in the Rue Morgue “which gave the author a Parisian reputation.” Poe’s popular volume Tales of the Grotesque spread the story throughout Europe. Dickens introduced the first private eye in
English literature in 1843, Mr. Nadgett, in Martin
Chuzzlewit. Angus B. Reach featured a detective as a character in Clement Lorimer: or, The Book with the Iron
Clasps: A Romance, published by D. Bogue in 1849 with illustrations by
George Cruikshank. Dickens Bleak House,
first published as a serial between March 1852 and September 1853, “marked the
arrival of the first police procedural hero, as well as the first calling
together of all the suspects in a murder for the unravelling of a crime.” [Bill Blackbeard in a post on the now defunct Yahoo group Bloods & Dime Novels.]
Charles Dickens was the first author to experiment
with monthly instalments of his three-volume novels, and the first to begin
issuing weekly instalments in All the
Year Round. On April 30, 1859, A Tale
of Two Cities, In Three Books, commenced serialization in All the Year Round. The Woman in White, “a continuous original work of fiction” by
Wilkie Collins began serialization in All
the Year Round on Nov 23, 1859. Great
Expectations was announced on November 3, 1860, it was “to be continued
from week to week until completed in about eight months.” The Times
review of Great Expectations labelled
these weekly instalments “a great experiment”
The first of these fictions which
achieved a decided success was that of Mr. Wilkie Collins — The Woman in White.
It was read with avidity by hosts of weekly readers, and the momentum which it
acquired when published in fragments carried it through several large editions
when published as a whole.[i]
Dickens and Collins successes with sensational serials
in literary magazines, usually connected with penny and halfpenny journals, led
to sensation novels, books and serials calculated to entice a market on the
move. Railway libraries, cheap books such as The Travellers’ Library, The
Parlour Library, and The Popular
Library, came into being in the 1850s to satisfy the demand for light
railway reading. Men, women and children bought reading material to leaf
through on long train rides, or when waiting in line for admittance to
restaurants and clubs. Continuous serials attracted a traveling audience and so
were designed to build a weekly readership. The Times, again…
Lingering over the delineation of
character and of manners, our novelists began to lose sight of the story and to
avoid action. Periodical publication compelled them to a different course. They
could not afford, like Scheherazade, to let the devourers of their tales go to
sleep at the end of a chapter. As modern stories are intended not to set people
to sleep, but to keep them awake, instead of the narrative breaking down into a
soporific dullness, it was necessary that it should rise at the close into
startling incident.
Fictional detectives began surfacing in yellow backs for railway reading in the 1860s. Recollections of a
Detective Police Officer by “Waters” (William Russell) was the earliest of
these detective fictions, first appearing in Chambers’s Edinburgh Journal in 1849. It was then published between
covers by J. & C. Brown in 1856, Kent in 1857,[iii]
and finally by Charles H. Clarke on Dec 15, 1859. This was followed on October
16, 1860 by A Skeleton in Every House,
More Mysteries by Waters, in Clarke’s The
Parlour Library series whose copyright had been purchased in January from Darton
& Co. The next was Tom Fox; or, The
Revelations of a Detective, “Comprising Adventures, Disguises, Perils,
Escapes, Captures, and Intrigues.” This was issued April 1860 by George Vickers
with 158 engravings.
The author of Tom
Fox; or, The Revelations of a Detective was John Bennett. Bennett published
his first work, Night and Day; or, Better
Late than Never in 1858. In 1860 Bennett wrote The Career of an Artful Dodger; his Art and Artfulness for George
Vickers. One of his serials about a London street boy was issued in penny
numbers by Henry Vickers as The Life and
Career of a London Errand Boy.
By 1873, three companies were named in an
article on cheap literature as purveyors of the “largest proportion of criminal
literature of the present time.” Those were The Newsagents’ Publishing Co.,
Edward Harrison and Henry Vickers.
The author of the uncomplimentary article
identifies the author of The Life and
Career of a London Errand Boy, John Bennett, as the “Editor of the Police
Record.”[iv]
He was probably referring to The
Illustrated Police News, Law Courts and Criminal-Record, begun Feb. 20,
1864, which ran to 3862 numbers, ending on Mar 3, 1938. The first publisher
was John Ransom and the owners were Lee and Bulpin. It has been suggested that
this was Henry Lea and Edwin Bulpin.[v]
The Publisher’s Circular told the
facts on April 15, 1868.
A curious instance of the vicissitudes
attending literary property is given in the Press
News of the current month, in the case of the Illustrated Police News, which was originally projected and started
by a small machine-printer in London, who, getting into financial difficulties
soon after, had to arrange with his creditors, and the publication in question,
which was just beginning to pay, was sold out and out for £150.
George Purkess junior had published Purkess’s Penny Library of Romances in
January 1863. He was named as proprietor and publisher of the Illustrated Police News in November 1865[vi] and the Illustrated
Police Gazette on Feb. 9, 1867. In 1871 he published the Halfpenny Police Gazette; or, London by
Gaslight, which was incorporated into the Illustrated Police News after the sixth number. A dubious character
named Edward Henri Todé was identified on September 24, 1869 as the editor and
publisher of the Illustrated Police News
by The English Mechanic, who had
previously employed him as an editor.
If Todé had any connection at all to the Illustrated Police News it was as a
one-time editor. The periodical also claimed Todé was the editor of The New Newgate Calendar, a penny
dreadful which was serialized by Edward Harrison from 1863 to 1865. In 1870 The English Mechanic wrote that Todé
“was no more the creator of this publication than an empty coal barge on the
Thames creates the tides on which it rides.”
Palmer’s Index to “The Times” Newspaper for 1872 shows an inquest
had taken place on the body of Edward Henri Todé “who Died of a Fit on the
Streets” on May 26 of that year.
JKA
[i] Times, October 17, 1861
[ii] On the “Sensational” in Literature and Art, G.A. Sala, Belgravia, Vol.4, 1867/68, p.445
[iii] Catalog of an
Exhibition arranged to illustrate New Paths in Book-Collecting, Nov 1934, p.33
[iv] Cheap Literature – Past and Present, John Pownall Harrison, The British Almanac of the
Society for the Diffusion of Useful Knowledge, 1873, p.60
[v] Cruel Deeds and Dreadful Calamities: The Illustrated Police News, 1864-1938, Linda
Stratmann
[vi] Pennies, Profits and Poverty, Robert J. Kirkpatrick, 2016, P.69
[vii] Cheap Literature – Past and Present, The British Almanac 1873, p.78
[viii] Sensational
Literature, The Reader, Nov. 12, 1864. P.597
