Wednesday, January 16, 2019

Sunday with Jimmy Swinnerton

Can This Be Santa Claus? 
Chicago Examiner, Dec 19, 1909

Sunday, January 13, 2019

A Crowded Life in Comics –

An Afternoon in June

(William Overgard)

by Rick Marschall 

A Crowded Life in Cartooning owes a lot to serendipity.

June, 1967, a sunny, gorgeous Spring day. I was a high school senior at Northern Valley Regional High School in Old Tappan, NJ. School let out early for seniors, because the senior prom was that night. I started to drive home, thinking this was too beautiful a day to mark time and shuffle around with friends. Neither did I really want to stare at my rented tux till witching hour.

When I dead-ended at Piermont Road, instead of turning right toward my home in Closter, I impulsively turned left, determined to do a little sight-seeing. A “Sunday Drive” on a weekday. (Back when gasoline was cheap, people used to meander aimlessly in their cars on weekends.)

Northward I drove, into the town of Piermont on the Hudson (where years later I ran an antiques shop); Tappan, where Major John Andre was hanged for plotting with Benedict Arnold during the Revolution; and other quaint New York towns just over the state line.

In the little town of Stony Point I spotted an old barn that presented itself as a crafts and collectible shop (probably “shoppe”). I felt lucky, not merely aimless, and often have followed my instincts at flea markets and used-book stores. Thee place offered more local crafts than old artifacts, but one painting on the wall caught my eye.

It obviously was new, not old, but I recall was painted on wood and had an intentionally  “primitive” look. It was the artist’s name that really caught my attention. “William Overgard.”

My local paper, The Record, ran Steve Roper – written by Allen Saunders, drawn by William Overgard. The signature was his; what a coincidence. I asked the guy behind the counter if he knew Overgard. Yes. Did he live locally? Yes, just up the hill. I introduced myself as a comics fan, and wondered if I could borrow the shop’s phone and  call Mr Overgard. “Sure.” Serendipity.

Mr Overgard answered the phone, and I went through the same story I had just spieled, but added a few bona fides about cartoonists I knew and some of the work I had done.

He invited me up the hill. A wonderful man, working in a wonderful studio, in a wonderful centuries-old house. We spent a wonderful few hours – cartoonists were invariably gracious to young aspirants when I was a young aspirant. But I was aware of the looming prom night, and Sue Keel never knew how close I came to “calling in sick.”

As he lived less than half an hour from my house, I was to visit Bill Overgard more times, even though I left for college a few months later. We kept in touch, and a few years later I was his Comics Editor at Publishers Syndicate in Chicago. One of the brush fires I was hired to put out was Bill’s feud with Allen Saunders. It was decades old. Saunders wrote the strip that Overgard joined in 1954, and his scripts came in the form of pencil-sketch panels – the plotting, pacing, composition all laid out (with Saunders’ insistence on compliance), and with bubble-headed characters, no less; for that was the extent of Allen’s artistic talent.

Overgard considered himself a writer (indeed he wrote paperback action novels and screenplays), and he wanted a wilder feel to Roper. In two years he prevailed upon Saunders to add a roughneck sidekick for the urbane newsman Roper, and thus Mike Nomad was born, a crewcut beefcake who soon dominated the strip and eventually shared the title.

Eventually Saunders surrendered the plotting and dialog, and after a creative tug of war (where I was tasked as referee) Bill took over the writing and layouts. Overgard was a talented writer, and had great natural instincts for comic-strip storytelling. In another syndicate dust-up given to me, Saunders’ long-brewing feud with another collaborator – Alfred Andriola on Kerry Drake – had to be solved. That strip eventually was scripted by Overgard, too; and long-overdue credit given to ghost artist Sururi Gumen. (Some day here I will share back-stories of those strips and those creators and those wars.)

Closing circles, in serendipitous ways, a few years later I received a call from Sid Goldberg, my old chief at United Features Syndicate. (Sid’s wife Lucianne was on an ABC-TV special this week as the provocateur who prodded Linda Tripp to prod Monica Lewinsky to save the blue dress with Bill Clinton’s ick on it) – Sid has just signed Bill Overgard to draw a strip, Rudy, about an insouciant talking chimp in La-La Hollywood.

Overgard had left Roper around 1985, succeeded by my old friend Fran Matera, whom I had tried to connect to Publishers when I was Editor. Cartoonist/columnist Harry Neigher, a mentor of mine, had introduced us. Fran, back in the day, had drawn Dickie Dare, succeeding Milton Caniff, Coulton Waugh, and Mabel “Odin” Burwick.

Rudy was a terrific strip, full of outrageous sarcasm, in-jokes, parodies, and double-entrendres. Sid knew it would be a tough sell… and it was. He asked if I would help promote it – not even knowing my friendship with Bill Overgard. But I truly liked the strip – Sid muscled a reprint book of its first episodes – and I wrote glowing reviews. It was a sad day when the promising, eccentric strip died.

A little while later, in further serendipity, Bill wrote scripts for ThunderCats at the invitation of Leonard Starr. He had also invited me and Ron Goulart to write scripts for the TV cartoons; I later learned that Larry Kenny, country disc jockey who also lived in Westport and was in the Imus in the Morning cast, was one of the characters’ voices.

I suppose I would have gotten to know Bill Overgard eventually, since he was in the stable of Publishers Syndicate. Yet I likely would not have developed the friendship we had, and probably not have visited that fabulous farmland and Colonial home in Stony Point – a part of the world he fell in love with whilst briefly working for Milt Caniff in nearby New City.

Piermont, Tappan, Sparkill, Stony Point… all those wonderful towns in the Palisades-hugging rural New York State. The lower Catskills of Rip Van Winkle legends. It seemed, and still does, unbelievable that their winding roads, dense trees, and old barns are a mere 45 minutes from Broadway. To me – despite the fact it is not on any map, nor possessing a postal code – it will forever be the place of Serendipity.

[By the way, I donned the tux and barely made it to Sue’s house, and the prom, in time. Another off-script serendipity occurred after the prom. Many kids went “upstate” afterwards – living on the border of New Jersey, seniors were attracted to bars where the drinking age was a year lower – but I suggested we do something different. No, not that. Being so close to New York City, we drove to Fort Lee on a lark, and walked across the George Washington Bridge. Around midnight, she in her gown, me in white jacket and boutonniere.

[I heard on the car radio that the United Nations Security Council was meeting in emergency, overnight session. The Six-Day War! A crazy idea formed after I dropped Sue home… and I drove back to the George Washington Bridge, and headed south on the FDR Drive. How could I miss a chance to witness history? Around the UN there bizarre claques of protesters and celebrants, but I worked my way through… and actually secured a gallery pass. I sat in the balcony till dawn, listening to delegates’ speeches (I recall Jamil Baroody of Saudi Arabia decrying Western influences in the Middle East: “We don’t want your hots dogs and mini-skirts”), through the overnight emergency session, sitting there in a white tuxedo jacket.

[In a Crowded Life, that turned out to be one crowded day…]

The Comics are a Serious Business by Allen Saunders HERE

Teepee Town to Times Square HERE

The Soaps on Sunday HERE


Sunday, January 6, 2019

A Crowded Life in Comics –

Theodore Roosevelt, Cartoons, and Me

by Rick Marschall

Many cartoonists – and toymakers – have adopted the 
Teddy Bear through the years. It was first depicted by 
Clifford Berryman, who made it his “mascot.”
All of these “Crowded Life in Comics” memoirs are personal, by definition, and this week a little more so. The occasion – or excuse – is the 100th anniversary of the death Theodore Roosevelt, another prime interest in my life.

Roosevelt was an early hero of mine. I began collecting books by him and about him; they now number more than 350. I collected memorabilia, and now have a fair collection of autographs, buttons, posters, and ephemera. I conducted all the research I could, including eventually getting to know his daughter “Princess Alice,” born in 1884; and today I know several latter descendants.

Political cartoonist Oscar Cesare (son-in-law of O Henry) 
accompanied Roosevelt to Chicago in 1912 for the 
tumultuous Bull Moose convention. He sketched this
 on the spot when TR addressed followers from the 
Congress Hotel balcony.
I have written two books about TR. TR in ‘12 is an expanded exhibition catalog about the Bull Moose campaign for the presidency. BULLY! is a full-length, 100,000-word biography illustrated exclusively with cartoons – vintage cartoons from Roosevelt’s day.

The latter project, and several exhibitions, were at the intersections of my two early and major pursuits as a budding historian and collector. I remember, as a kid, obsessing about old comics and ol’ Roosevelt, sometimes realizing that I was alternately specializing and not multi-tasking. (Plus which, I had other hobbies too, and a predictable proclivity for penury due to these addictions.)

W A Carlson of the Utica Globe drew front-page cartoons that were routinely 
printed in color every Saturday. This is from 1910, when he smashed 
expectations of his opponents and captured the New York State GOP convention.
One nexus was the cartoons about Roosevelt and his time. Being attracted to early humor magazines with a fanaticism I employed in acquiring old Sunday funnies, comic post cards, reprint books, song sheets, and such, I was able to acquire runs of the magazines Puck, Judge, Life, and others. For week after week – year after glorious year – there were cartoons about Roosevelt in their pages. And other presidents, also-rans, and celebrities. Fads and fancies from the Civil War to the First World War and beyond. Glorious colors; stale humor; social changes; forgotten cartoonists; great ads; masterpieces lost to history. I collected other magazines and runs of newspapers, too; not only the Sunday comics.

… all of which fed the collector monster possessing my “mind” but nurturing my heart too – however the metaphor should go – and its passion for history; for popular culture, which I suppose is my specialty.

Percy Crosby drew his famous character Skippy, paying tribute to patriotism, 
the Plattsburgh soldiers’ training camp, and his friend TR Jr.
Enough. I will share here a few of the Roosevelt cartoons I collected through the years. Not clippings or reproductions, but original art I have been blessed to acquire through the years. Enjoy.

And speaking of being blessed, I hope that readers or their children might also experience what I did in this aspect of a “crowded life.” To call it turning a hobby into a profession is true, but prosaic – and most prosaic things do not reflect the passion and joy involved. Discovering the past by holding artifacts from the past, not merely reading books or articles or charts or graphs, makes them more interesting. It makes history more interesting. And I think it makes us all more interesting too.

The great Homer Davenport drew strong anti-Roosevelt cartoons 
when he worked for Hearst early in his career, but later was 
an effective ally, and close friend

Berryman constantly was asked to draw the Teddy Bear. This crayon 
sketch, possibly for a lecture appearance, is 30 inches tall.

A 1911 caricature of TR by his friend and admirer James Montgomery Flagg

Clifford Berryman of the Washington Star was present as cartoonist 
or illustrator at every phase of TR’s life, even depicting him greeting voters.

Clifford Berryman sketched the ubiquity of Roosevelt in his professional 
life… and TR’s presence on the national political scene



Tuesday, January 1, 2019

Mrs. Astorbilt's New Year's Ball!

Among those Not Present Were Mrs. Katzenjammer and der Captain

Rudy Dirks
Chicago Examiner
Jan 1, 1911

Monday, December 31, 2018

Christmas With The Cartoonists

Chicago Examiner

Dec 13, 1913

Sunday, December 30, 2018

Christmas With The Cartoonists


Wilhelm Schulz

Vernon Grant

Art Young

Bob Zschiesche
[Our Folks]

Saturday, December 29, 2018

Christmas With The Cartoonists

Irv Phillips
[Mr. Mum]

Alfred Andriola
[Charley Chan, Kerry Drake]

Dick Hodgins, Jr.

Friday, December 28, 2018

DAILY HERALD comic strip series index 1919-1964

Wyatt Earp by St. John Barling / July 28, 1958
comic strip series index 1919-1964

Compiled and researched by
Leonardo De Sá

Bobby Bear (debut) by Aunt Kitsie (writer) and E. Harries (artist) / March 31, 1919

The Daily Herald was a British daily newspaper, published in London from April 15, 1912 to September 14, 1964. A new series started in March 31st, 1919, which included a children’s section where “Bobby Bear” was introduced, followed by other series. The daily was bought by the Mirror Group in 1961 (along with the Sunday People) and morphed into The Sun, beginning September 15, 1964. This listing includes data on nearly all the comic strip series that appeared in the Daily Herald, with only a few pieces of information missing, because the years 1951, 1957, 1960, 1962, 1963 and 1964 still remain to be checked.

Bobby Bear by Aunt Kitsie (writer) and Dora McLaren (artist) / September 2, 1921

Bobby Bear
   Debuted 31/MAR/1919, ended 04/OCT/1941
By “Aunt Kitsie” (Kitsie Bridges, writer) and initially drawn for a short period only by E. Harries, then drawn by Dora McLaren 1919 to 15/MAR/1930, by M.G. or “Meg” 17/MAR/1930 to 21/APR/1933, by Wilfred Haughton starting 22/APR/1933, and by Rick Elmes starting in 1934 (only appearing as a small panel in the last few months).

The Trials of Henry Dubb by A.G. / April 2, 1923

The Trials of Henry Dubb
   Debuted 20/FEB/1923, ended 28/AUG/1926
By A.G. (adapting the well-known character of Henry Dubb, created by US cartoonist Ryan Walker). Appeared with different titles on occasion.

All in a Day's Work (debut) by Rick Elmes / April 28, 1930

All in a Day's Work
   Debuted 28/APR/1930, ended 10/SEP/1945
By Rick Elmes (only appearing as a panel in the last years). It continued for a few more years under the title “All in the Game,” at least extant from 21/NOV/1945 through 05/APR/1947, as a panel only.

Bobby Bear, first strip with art by Wilfred Haughton / Croaky by Jane Noel (writer) and Gordon Robinson (artist) / April 22, 1933

   Debuted 15/APR/1933, ended 21/JUL/1934
By Jane Noel (writer) and Gordon Robinson (artist).

News with a Smile (debut) by T.H. Palmer / December 7, 1938

News with a Smile
   Debuted 07/DEC/1938, ended 10/MAY/1940
By T.H. Palmer (only appearing as a panel in the end).

 Sam Stone (debut) by Maz / December 13, 1948

Sam Stone
   Debuted 13/DEC/1948, ended 14/AUG/1950
By “Maz” (real name Alfred Mazure).

Ginger Nutt by David Hand / June 18, 1949

Ginger Nutt
   Debuted 25/APR/1949, ended 25/APR/1950
By David Hand. Sequential panel adapted from the animated cartoons directed by Bert Felstead, also appearing on occasion in the more conventional comic strip format.

Thumper / August 14, 1950

   Debuted 01/MAY/1950, ended 06/MAR/1954
Credits unknown. Two-panel Walt Disney derivative strip.

World Citizen by David Low / January 28, 1952

World Citizen
   Debuted ??/SEP/1951, ended 27/OCT/1952
By David Low.

The Smilies / May 3, 1952

The Smilies
   Debuted 1951, ended 22/MAY/1954
Credits unknown.

The Fan / January 2, 1952
The Fan
   Debuted 1951, extant 31/DEC/1956, ended (?) 1957
Credits unknown.

Bruce Hunter by Maz / January 2, 1952

Bruce Hunter
   Debuted 1951, ended 24/APR/1953
By “Maz”.

Captain Universe (debut) by Herbert James Campbell (writer) and Terry Maloney (artist) / January 28, 1952

Captain Universe
   Debuted 28/JAN/1952, ended 10/MAY/1952
By Herbert James Campbell (writer) and Terry Maloney (artist)

Bill and Sue by Robert St. John Cooper (writer) and Charles Keeping (artist) / September 2, 1954

Bill and Sue
   Debuted 06/JAN/1953, ended 09/SEP/1961
Written by Robert St. John Cooper and drawn by Charles Keeping (until 1956?), in later years by an unknown artist. The byline “by Lee Cooper” started 14/JAN/1958 and appeared until the end, but it should most probably be read together with the byline of the only other strip in the newspaper at the time, “Wyatt Earp” which was indicated “by St. John Barling” — meaning that both were done by St. John Cooper and possibly drawn by some unknown Lee Barling…

The Exploits of June (debut) / May 24, 1954

The Exploits of June
   Debuted 24/MAY/1954, ended 31/JUL/1954
Credits unknown.

The City Under the Sea by Tony Weare / September 2, 1954

The City Under the Sea
   Debuted 09/AUG/1954, ended 25/FEB/1955
By Tony Weare.

'Bats' Belfry (debut) by John McNamara / February 28, 1955

‘Bats’ Belfry
   Debuted 28/FEB/1955, ended 20/AUG/1955
By John McNamara.

Mr. Farthing by Stanley Franklin / September 13, 1955

Mr. Farthing
   Debuted 29/AUG/1955, ended 05/NOV/1955
By Stanley Franklin.
Taxi! (debut) by Horatius / November 7, 1955

   Debuted 07/NOV/1955, ended 31/DEC/1955
By “Horatius”.

Wyatt Earp by St. John Barling / January 2, 1958

 Wyatt Earp
   Debuted 1957, ended 26/JUL/1958
By St. John Barling. See "Bill and Sue" above.
On Stage by Leonard Starr / November 22, 1958

On Stage (USA)
   Debuted 08/SEP/1958, ended 09/SEP/1961
By Leonard Starr.

Sandra (debut) / March 5, 1959

   Debuted 05/MAR/1959, extant 30/DEC/1959, ended 1960
Credits unknown.

Benny (debut) by Droc / July 27, 1959

   Debuted 27/JUL/1959, ended 14/OCT/1961
By “Droc” (real name Derek Chittock).

Dudley D by David Gantz / September 11, 1961

Dudley D (USA)
   Debuted 11/SEP/1961, extant 30/DEC/1961, ended (?)
By David Gantz.

Frontiers of Science by Professor Stuart Butler and Robert Raymond (writers) and Andrea Bresciani (artist) / September 11, 1961

Frontiers of Science (Australia)
   Debuted 11/SEP/1961, extant 29/DEC/1961, ended (?)
Created by Professor Stuart Butler in collaboration with Robert Raymond, and Andrea Bresciani (artist). The series continued in The Sun.

Better or Worse by Peter O’Donnell (writer) and Leslie Caswell (artist) / September 18, 1961

Better or Worse
   Debuted 18/SEP/1961, extant 30/DEC/1961, ended 14/SEP/1964
By Peter O’Donnell (writer) and Leslie Caswell (artist), then drawn by Frank Langford (1964). The series continued in The Sun, still drawn by Langsford.

Barley Bottom by Lucian / September 27, 1961
Barley Bottom
   Debuted 18/SEP/1961, extant 30/DEC/1961, ended 14/SEP/1964
By Lucian.

Maigret (debut) by Peter Grey (writer) and Kenneth Inns (artist) / October 16, 1961  

   Debuted 16/OCT/1961, extant 30/DEC/1961, ending date unknown. 
Adapted by Peter Grey (writer) and Kenneth Inns (artist), misspelled in the Maigret banner above.

Any additional information is welcomed, especially
missing names of writers and artists.