Showing posts with label Kit Carson Jr. Show all posts
Showing posts with label Kit Carson Jr. Show all posts

Wednesday, February 8, 2012

Humbug Hero, Some Episodes in the Life of Kit Carson Jr.


 Digging into the background of the stage actors who were also dime novel heroes can be fraught with difficulties. It was said of Texas Jack Omohundro that he had the name “Texas Jack” copyrighted to protect himself from the many impersonators who appropriated the name for money or fame. There were at least one half dozen obituaries of “Texas Jack’s” (including a notorious train robber) and just as many dead “DeadwoodDick’s.” “Kit Carson Jr.” was another name that was widely assumed. There was a real Kit Carson Jr., son of the famed scout, but he never appeared on the stage or in a dime novel romance. One “Kit Carson Jr.,” described as “a son of the old scout,” killed his father and mother-in-law in La Junta California in 1912 then mounted his horse and escaped through Bent Canon. This prompted a letter (25 Nov) to the Editor of Variety, part of which read:


“My name is and always was Kit Carson, Jr. I am the grandson of Kit Carson the frontiersman, and have abundance of proof in St. Fe, N.M. Have met seven presidents, King Edward, Queen Victoria, and have wined and dined with nobility. Now the point: Unscrupulous degenerates have introduced themselves as “Kit Carson, Jr.” If you ever meet them, put up 20 to 1 (make it 1000 to 1) that you can find Kit Carson, Jr. Just keep this letter as a reference.

Kit Carson, Jr.

Flat Rock Ind.

P.S.: Have never killed anyone; been a preacher in Oklahoma, not a bad man.

The actor “Kit Carson Jr.” had replaced “Texas Jack” in the Buffalo Bill Combination in 1875 and failed in a short-lived attempt to tour in his own melodrama in 1876. In 1877 Frank Starr published Samuel Stone Hall’s dime novel Kit Carson, Jr., the Crack Shot of the West. A Wild Life Romance by “Buckskin Sam.”  The cover featured a striking image of the stage “Kit Carson Jr.,” an actor whose real identity has been a source of puzzlement to writers ever since. E. M. Sanchez-Saavedra unearthed the name of the actor in a scrapbook at the Smithsonian (see HERE) which held an annotated photograph which was the obvious source for the dime novel cover. The annotation read:

“Jim Spleen, alias Kit Carson, Jr. of Baxter Springs, [Kansas]. Genl. Sherman told me he posed as the son of Kit Carson and tried to enter West Point through that deception – but could not pass examination – in grammar & figures.”

Buckskin Sam (he weighed 125 pounds)

Since Buckskin Sam had been employed as a Texas Ranger J. C. Dykes, author of an article titled Buckskin Sam, Ranger and Writer, searched the Texas Archives for the background to Kit Carson, Jr, the Crack Shot of the West.

“The Texas Archives reveal that Sam was a member of Captain Edward Burleson’s company of mounted rangers in 1860. Joseph Carson, age 26, was the Second Lieutenant of Burleson’s company, and while Sam makes “Kit Carson, Jr.” somewhat younger in the novel, it seems likely that Lt. Carson was the model for Sam’s hero.”

It seems that Jim Spleen’s image was attached to the novel Kit Carson Jr. because of his fame (he received good reviews for his portrayal) in the Buffalo Bill stage plays. But why would Frank Starr wait two years, long after Kit Jr. had left Buffalo Bill and failed on his own, to publish the dime novel?

Kit Carson Jr. was Buckskin Sam’s first novel and was described in his obituary in the Omaha Daily Bee 19 Feb 1886.

“… eventually Col. Prentiss Ingraham and Buffalo Bill befriended him, discovered that he had unusual facility for description, and advised him to write fiction based on his own personal experiences. So Sam turned in to a cheap publishing firm a story called “Kit Carson, Jr.” The manuscript was so crude that they could not use it as it was, but they discerned merit in it, and advised him to have it edited for them to read. He then bargained with a professional writer, an Oxford graduate, to lick the narrative into readable shape. This partnership lasted until Sam’s death.”

Jim Spleen, aka “Kit Carson Jr.,” a man born with the gift of gab, “whose eloquence charmed a crowd,” had his own story to tell (Batavia News 21 Nov 1878) during a visit to Paterson, New Jersey:

“At the depot he went into the baggage room, took off his broad brimmed hat, his buckskinned suit and his long haired wig, revealing under the masquerade a bright looking young man of the world, a shrewd canvasser. “You boys are fools,” he said to the depot folks, “to be slaving out your lives here for $40 or $60 a month. I tell you the people like to be humbugged. -- Nobody could sell this book till I took hold of it and passed myself off as “Kit Carson, Jr.,” and now I’m coining money. Last night I cleared $50 in Middletown, and tonight $35 in Paterson. I’m making big pay. Boys, there’s nothing like it. The people will pay well for being humbugged. Give up your railroad job and buy a wig, a broad brimmed hat and buckskin suit, and then take the agency for a frontier story book. You’ll get rich. Come, let’s have a drink!”

It's seems very likely that Junior's stage-show agents commissioned Frank Starr to supply a dime novel for their short-lived venture and Junior lived off the avails for the rest of his life. Soon after another article THE NEW HUMBUG, repeated the above story of the “dapper youth, who had taken this unique method of selling an unsalable work,” and ended: “The humbug referred to in the above was at the Potsdam fair and tried to lasso the flying machine.” On 1 October Junior was in Geneva where he lassoed delighted street Arabs and harangued a large crowd in front of his hotel, holding them “spellbound for three mortal hours” with topics ranging from scout life to the merits of the “greenback.”

“… taking his statements as true, he is the greatest traveler now living, although but 26 years of age. He scored without mercy the administrations of Grant and Hayes for mismanagement of Indian affairs, which has resulted in the loss of so many lives and so much treasure. This “scout” is a model temperance man, if we may believe him -- asserting that he never tasted strong drink, beer, wine, cider, tea or coffee -- never smoked tobacco in any form, nor ever played a game of cards, nor indulged in gambling of any kind. He denounced Mormonism, but held it to be respectable as compared with the practices of the Oneida community. The scout sold quite a large number of books containing an account of his romantic life and adventures.”

When Kit Carson Jr. appeared in Oswego with Dr. Redwing, a heavily muscled patent medicine salesman, he added to his ‘biography’ thus:

“Kit was born in Texas… was with Buffalo Bill for several years on the plains and in show business; was with General Custer in several fights… is a crack shot and last year went to Russia and took part with her sharpshooters in the Balkans… temperate, never drank a “taste” in all his life… He is a good talker and during his stay here will deliver lectures on the streets and sell books.”

On 22 Sept 1879 the Evening Auburnian reported that “the scout of the plains, who sometime since delivered street lectures in this city, was assaulted on a rail road train near Canajoharie. The Utica Herald said Carson and his wife Caroline W. Carson were on their way from Syracuse to Amsterdam, for sporting purposes:

“At Fort Plain three tramps boarded the train. One of them quite drunk came into the car and without provocation or cause, according to the affidavit of Kit Jr. walked up to him and struck him in the face twice, inflicting ugly wounds. While Kit was getting his revolver from his satchel the tramp struck Kit’s wife, Caroline W. Carson, in the face, fearfully bruising her. The fight at this time was quite exciting, the passengers all endeavoring to get a crack at the tramp. At this station the tramp and the Carson’s got off -- the former being placed in the hands of Officer Barrett. The tramp, who gave his name as Charles Phelps of Albany, was arraigned before Justice Charles W. wheeler on two charges of assault and battery. Mrs. Carson’s clothes were considerably torn and her face was very much bruised.”




Kit Carson Jr.’s last appearance was addressing a temperance meeting on 5 Jan 1880 at Talmadge Hall in New York City. Kit Carson Jr. “formerly attached to the Buffalo Bill combination,” died 5 March 1881, with his wife at his bedside. While staying at the Reed House in Chattanooga he was taken sick with smallpox and removed to the pest house. His age was given as thirty-five. Most newspaper accounts gave his birthplace as Texas, but none ever gave his true name, Jim Spleen, and what name, I wonder, was engraved on the flim-flam man’s tombstone in 1881?


Monday, February 6, 2012

Kit Carson, Jr. Matinee Idol and Cover Boy

“KIT CARSON, JR.” MATINEE IDOL AND COVER BOY

by E.M. Sanchez-Saavedra

In 1877, purchasers of Frank Starr’s New York Library*, issue number 3, were treated to the image of a handsome frontier hero with sombrero and long rifle gazing piercingly off into the far distance. Unlike most dime novel illustrations drawn from pure imagination, this woodcut was obviously copied from photograph of an actual person. The pose is reminiscent of the theatrical photos by New York celebrity photographers Napoleon Sarony and Jose Maria Mora. (*Update: since writing this post the original photographic image used to illustrate the cover has been traced to Mora.) The story it illustrated was Kit Carson, Jr., The Crack Shot of the West. A Wild Life Romance by “Buckskin Sam.” This exciting western tale was written by Sam S. Hall (1838-1886), a short, feisty alcoholic former Texas Ranger living in Wilmington, Delaware. Hall’s yarn was set in 1860, when the Rangers were in hot pursuit of Juan N. Cortina, freedom fighter and bandit, who periodically raided the Texas frontier. It includes several real-life characters that Hall had known personally, plus an assortment of fictional Rangers and villains. The same cast appeared in sequels like Wild Will the Mad Ranchero.

(*Frank Starr was the print foreman of the firm of Beadle and Adams. The series was renamed Beadle’s New York Dime Library a year later. Reprints replaced the old masthead with the new one in 1878.)

Kit Carson Jr. may be found HERE


 According to Louis S. Warren in Buffalo Bill’s America: William Cody and the Wild West Show (New York: Alfred A. Knopf, 2005) pp. 170-171, Texas Jack Omohundro took a break from acting with the Buffalo Bill combination in 1874. As a temporary replacement, Cody hired a young man known only as “Kit Carson, Jr.” When Texas Jack returned in 1875, “Carson” left the troupe and started his own rival company, to Cody’s intense disgust. The new combination failed and “Kit Carson, Jr.” faded into oblivion – almost.

Robert A. Carter, in Buffalo Bill Cody, The Man Behind the Legend (New York: John Wiley & Sons, 2000), p. 211, quotes from correspondence between William Cody and author Sam Hall. Hall wished to try his hand at acting in western melodramas, but Cody, knowing of his friend’s weakness for “tanglefoot” and the hardships of traveling troupes, dissuaded him in a letter of July 5, 1879:

“I have no part in either my dramas that would be suitable for you to play as I did say that I would never have another Scout or western man with me…for just as soon as they see their names in print a few times they git the big head and want to start a company of their own. I will name a few. Wild Bill Texas Jack John Nelson Oregon Bill Kit Carson and Capt. Jack all busted flat before they were out a month and wanted to come back. Because I would not take them then they talked about me.”

In the same letter, Cody mentioned that “Kit Carson, Jr.’s” prospects were not furthered by his arrest for striking his wife with intent to kill!


 In The Lives and Legends of Buffalo Bill (Norman: University of Oklahoma Press, 1960) p. 212, Don Russell cited a letter from Kit Carson III denying that any member of his family had ever toured with Cody under the name of “Kit Carson, Jr.”

There the matter rested until April 2004, when Smithsonian magazine announced the existence of a forgotten bit of western Americana. Tucked away in the Smithsonian Institution is a crumbling scrapbook of photographs and sketches by James Earl Taylor (1839-1901) who specialized in western illustrations for Frank Leslie and other publishers. The Smithsonian digitized this scrapbook as part of an ambitious project to make more of its hidden treasures available to the public. While browsing through the superb digital photos of Native Americans, western scenery and historical personalities, I chanced upon the smoldering visage of “Kit Carson, Jr.”

Taylor had annotated the image as follows:

“Jim Spleen, alias Kit Carson, Jr. of Baxter Springs, [Kansas]. Genl. Sherman told me he posed as the son of Kit Carson and tried to enter West Point through that deception – but could not pass examination – in grammar & figures.”

While this tantalizing clue raises as many questions as it answers, it supplies the original image from which Beadle’s engraver worked. Judging solely by his behavior, “Jim Spleen” was far from being the winsome hero of Sam Hall’s novel. His expression as captured by the unknown photographer eerily recalls actor Malcolm McDowell’s chilling portrayal of the twisted, vicious “Alex” in Stanley Kubrick’s A Clockwork Orange.


 A note on James E. Taylor (1839-1901):

Born in Cincinnati, Taylor graduated from the University of Notre Dame du Lac at the age of 16. At 18, he had painted a panorama of the Revolutionary War. Under the patronage of the Rev. Henry W. Bellows, he moved to New York to study art in 1860. Caught up in the war fever, he enlisted in the Tenth New York Infantry (National Zouaves) in 1861. He served two years and was promoted to sergeant. While still in service, he sent some battlefield drawings to Frank Leslie’s Illustrated Newspaper and was hired as a “special artist” when he left the army in 1863. For the remainder of the war, he traveled with the Union Army in Virginia, West Virginia, the Carolina and Georgia sketching battles and incidents of army life. A staunch member of the “Bohemian Brigade” of war correspondents and artists who risked life and limb to report on the conflict, he accompanied Sheridan’s army throughout the Virginia Valley campaign, and from Savannah to Richmond. Leslie’s published 61 of his wartime drawings. General William T. Sherman commissioned his painting of “The Last Grand Review” in 1865.


 After the war, Taylor traveled to the West with Gen. Sherman and the Indian Peace Commission, and his drawings of the Medicine Lodge Council treaty negotiations were published in Leslie’s in November 1867. His drawing “Branding Cattle on the Prairies in Texas” published in Leslie’s in June 1867 was the first illustration of the western cattle industry printed in a national magazine. He was an avid collector of photographs of western people and places to assist his artwork. He also sketched scenes depicting the struggles of Blacks during the Reconstruction years.

Besides his factual news sketches, he drew hundreds of illustrations for Frank Leslie’s Boys’ and Girls’ Weekly, including the Jack Harkaway serials.


 He also created a series of wash drawings of the aftermath of the Great Chicago Fire in 1871, several of which appeared as engravings in Leslie's reports on the relief and recovery efforts. After leaving Leslie in 1883 his Civil War subjects appeared in Battles and Leaders of the Civil War and in many other books and magazines during the 1880s and ‘90s. A lifelong bachelor, he died at his residence on Lexington Avenue in 1901.

The  J.E. Taylor album may be browsed HERE

 Also see:
James E. Taylor, With Sheridan Up the Shenandoah Valley in 1864: Leaves from a Special Artist's Sketchbook and Diary. (Cleveland, OH: Western Reserve Historical Society, 1989

James Earl Taylor in middle age.