Opper-Level Memories.
By Rick Marschall
Two special drawings of Mr.
Hooligan – the 1907 sketch was done for cartoonist Gus Mager’s ailing sister; he
arranged to have cartoonists in the Hearst bullpen send sketches in separate
postcards to her.
As I chip away at my full-length biography of Opper and his work, I will share a few more treasures here. (And in an early issue of the revived NEMO Magazine.) No need for much narrative, since I confessed my fealty already. His work did, and does, and will, speak for itself.
Opper among eight other prominent cartoonists of
his day, ca. 1903.
A card from a testimonial dinner given in honor of
F. Opper, Cafe Martin, New York, April 1912. Among those present, and signing
their names on this part of the program, were Carl Anderson, C. S. Rigby,
Gustrave Verbeek, Albert Levering, George McManus, H. A. MacGill (The Hall
Room Boys), Jimmy Swinnerton, Rudolph Dirks, L.N. Glackens (Puck),
Rudolph Block (editor of the New York American comic section), Gus
Mager, Al Frueh, animation pioneer E. G. Luitz, Fred Nankivell, political
cartoonists William H. Walker and Charles Macauley.
Fifteen years later, another testimonial dinner –
this one a massive affair where Opper, Charles Dana Gibson, and political
cartoonist W. A Rogers were honored. At the Hotel Astor in Manhattan. I also
have an enormous “gaslight photograph” of the entire room, hundreds of guests
at their tables. (And giant drawings, hanging from the balconies, by Winsor
McCay and others. Oh! Whatever happened to those drawings?) Signers of this
program were the three honorees, and humorist Irvin S. Cobb, Mayor Jimmy
Walker, Arthur Brisbane, Sen. William Borah, and Broadway compoer Gene Buck.
When Opper retired in 1934 (due to failing
eyesight; he died three years later) he was given yet another testimonial
dinner. Here he draws his old hero Happy Hooligan In the background, Harold H.
Knerr (The Katzenjammer Kids) look on.
… and when the evening was over,
the assembled cartoonists drew their characters as a send-off to the “The Dean
of American Cartoonists.” With Opper at the easel was King Features’ newest
star, Alex Raymond, who commenced Secret Agent X-9, Jungle Jim,
and Flash Gordon that year.
No. 59
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