Tuesday, August 13, 2013

Four Watercolors by Walter M. Dunk



by John Adcock

Walter M. Dunk was born in Philadelphia in 1855. In the 70s he attended the Pennsylvania Academy of Fine Arts where he was a pupil of Thomas Eakins. By 1882 he was president of the Philadelphia Sketch Club, a director of the Philadelphia Art Club, and ‘prominent in the literary circles of the Quaker City.’ About 1890 he inherited $100,000. 

[1] Watercolor painting, January 28, 1885.
As author-illustrator, in addition to his watercolor painting, Dunk contributed ‘serials’ (strip cartoons) to the Harper Brothers chain of magazines. Examples of his comic work are HERE and HERE. Thomas Eakins had taught his students about motion photography, following the example of Eadweard Muybridge. He used a zoetrope in his classes, a cylindrical device which animated photographs. Muybridge was very influential on 19th century comic strip artists and Dunk, via Eakins, could probably be added to the list of the influenced. See ‘Muybridge and the Comic Strip’ HERE and HERE.

[2] Watercolor painting, November 2, 1886.
In 1886 Dunk married Eleanore Gilmore, one of his models. It is possible she was the model for some of these paintings. The couple divorced in 1891 (see ‘She was an Adventuress’ HERE) and Dunk then married Laura V.M.H. Dunk and lived in Rye, New York, Westchester County. The date of Dunk’s death is unknown and may have happened overseas. Research by the owner of the paintings turned up the death of one Walter Dunk in 1925 in West Redding, Yorkshire, England.

[3] Watercolor painting.
Dunk illustrated The Goddess of Atvatabar; being the history of the discovery of the interior world, and conquest of Atvatabar by William R. Bradshaw, New York: J.F. Douthitt, 1892. In 1893 he illustrated All or Nothing, a novel based on the assassination of Alexander II, from the Russian of Count Nepomuk Czapski, published by Robert Bonner and Sons.

These four beautiful watercolors are from the collection of Catherine Pape, who generously offered to share them with Yesterday’s Papers readers. The paintings are for sale, anyone with an interest can send me an email for contact details.

[4] Watercolor painting, Bushkill, 1892.
[5] Down in Bom-Bombay, sheet music cover, 1892.
[6] Dunk’s initials, 1886.
[7] Dunk’s signature, 1885.
[8] Bird Lore, Vol. 718, 1915-16.
[9] ‘Art in the Quaker City,’ illustration in The Continent, Vol. 3, No. 1, Jan. 3, 1883, p.14.
[10] ‘The Goddess of Atvatabar,’ 1892.
Detail of watercolor [4].
◊

Monday, August 5, 2013

The London Sketch Club — A 1915 Memoir


[1] The Forge, watercolour sketch by John Hassall.

Walter Churcher, the club’s former secretary, wrote this short memoir of the London Sketch Club, for The International Studio, Vol. 54, No. 216, February 1915, pp.243-255. See the portrait H.M. Bateman made of him in [5].

[2] The club’s new quarters, Marylebone Road.
[3]
‘…The purpose of the London Sketch Club, as that of the older Langham Sketching Club, is, as is well known, the practice of rapid memory sketching by gaslight from given subjects…’


[4] Smoking Conversaziones.
[5]
‘…On the occasion of the half-yearly Smoking Concert, or on other special occasions, […] duologues expand into transpontine dramas, presidential initiations, tramp suppers, and other eccentricities which cannot be easily described in cold print…’

[6]
[7]
[8]
[9]
[10]
[11]
♦

Saturday, July 27, 2013

Humor in the Trenches — The Songs My Mother Never Taught Me

   
[1] “Madelon – Madelon – Madelon!!”
[2] Composer-performer John Jacob Niles.

  
by E.M. Sanchez-Saavedra
 
This delightful 1929 compilation was published by The Macaulay Company of New York. It was the work of three men: John Jacob Niles (Jack, 1892-1980, composer, performer, folklorist), Douglas Stuart Moore (Doug, 1893-1969, composer, educator, author), and Abian Anders Wallgren (Wally, 1891-1948, artist, official cartoonist of The Stars and Stripes, AEF).

[3] The book’s front cover.
Aficionados of the folk music renaissance of the 1940s-60s remember John Jacob Niles’ eerie voice, dramatic and emotional presence and oversized Appalachian dulcimer. He may be seen and heard performing his best-known composition, Go ‘Way From My Window — HERE.

[4] Composer Doug Moore.
In addition to his books of folk music, Niles co-authored with fellow air service Lieutenant Bert Hall One Man’s War; The Story of the Lafayette Escadrille (New York: Henry Holt, 1929). It is difficult to picture the intense folklorist of later years as a devil-may-care member of the Army Air Service, Officer Reserve Corps, but his work on The Songs My Mother Never Taught Me is proof positive of his lighter side. Born in Louisville, Kentucky, Niles learned music theory and folk songs from his mother. Before his enlistment, he had spent a number of years collecting Appalachian music and writing his own songs.

[5] The book’s endpapers.
After his stint in the U.S. Navy as a Lieutenant (Junior Grade), New Yorker Douglas S. Moore studied music in Paris, then continued his studies and began composing classical pieces in Cleveland. In 1926 he joined the music faculty at Columbia University. He collaborated with Stephen Vincent Benet on the opera The Devil and Daniel Webster. He eventually wrote music for orchestra, ballet, theater and film, and wrote two books on music.

[6] Artist Wally Wallgren.
Poles apart from Niles and Moore was Philadelphian Abian Anders Wallgren who signed his art Wally. He began cartooning when a teenager and had two strips running in the Sunday papers at the age of 16. Among the first Americans to enlist in 1917, Wallgren flouted regulations and was usually in trouble with the M.P.s for such offenses as smuggling cognac into camp. As an army sign painter he painted “Latrine” and “Officers Only” signs throughout the American sector, until he joined the staff of the American Expeditionary Force’s newspaper, The Stars and Stripes. 

[7] “U.S. Air Service.”
He created Hoosegow Herman, Inbad the Sailor and The Saluting Demon, among others. Wallgren received high praise from General John J. Pershing for his contribution to morale. Like his BEF contemporary in WW I, Bruce Bairnsfather, and his World War II counterpart, Bill Mauldin, Wallgren captured the essence of the combat experience with a mix of pathos and wry humor.

[8] The book’s title-page.
 [9] The song list.
[10]
[11] “Mad’moiselle from Armentières.”
[12] “She got the palm and the croix de guerre.”
[13] “We hope to Christ it breaks his back.”
[14] “The doughboy he went over the top.”
 [15] “Mad’moiselle from Armentières.” Wally cartoon.
[16] “Dempsey helped to build the ships.”
[17] “Twas a Hell of a war, as we recall.”
[18] “The folk song of the war.”
[19] “If you want to know where the privates are.”
 [20] “If you want to know where the officers are.”
[21] “Marine Song.”
[22] “Jamais de la vie.”
[23] “The French they are a funny race.”
[24] ‘Rollicking Soldier Songs.’ Appraisal in The Saturday Review of Literature, January 4, 1930.

See Humor in the Trenches — The Wipers Times HERE.

♦♦♦
     

Wednesday, July 24, 2013

The Demon Cat; A Naval Melo Drama


[1] Art by William Ralston, 1889 (detail).

Hester Viles sent me a little memoir about a favourite comic picture-book in her family, about an incredibly catastrophical cat, nicknamed The Demon. A large-sized book (9.5 by 12 inches, 24 by 30.5 cms) fully titled: The Demon Cat; A Naval Melo Drama By C.W. Cole and W. Ralston. Illustrated in black-and-white with some pages in color. First published in December 1889 by Simpkin, Marshall & Co. in London / John Menzies & Co. in Edinburgh and Glasgow.

Hester did note:
The book is very damaged and the front and back pages are glued onto the outer covers, I could not see the dates. The book belonged to my father in law, but judging by the state of it, I would not be surprised if it came from Edward Viles. Dad probably got it from his father who probably received it from the family. Dad loved it and the two of us often sat together, laughing ourselves silly over the story…

Antiquarian bookseller Rooke Books, in Bath, England, offers a good copy for sale HERE that has at least two more pages than Hester’s copy:

[2] Two pages from Rooke Books’ copy.
[3] A Chinese Admiral pays us a visit. “PRESENT ARMS!’

The particular copy of the book reproduced below belonged to Walter Richard Viles, grandson of Walter Percy Viles, the Victorian author of penny dreadfuls and boys’ stories. The boards and pages are heavily damaged and pages seem to be missing from it.

Artist William Ralston (1848-1911) illustrated several children’s books and an 1890s edition of Thackeray’s novel Barry Lyndon, and was a contributor of many strips and illustrations to periodicals like Punch, The Illustrated London News, The Cornhill Magazine, The Graphic, The Daily Graphic, and The Sporting and Dramatic News.


[4] A well-worn front cover.
[5] The Demon boarded us.
[6] During the night.
[7] To catch a wasp.
[8] Rest of the afternoon.
[9] To stalk a gull.
[10] Negative success.
[11] Kind-hearted young seaman.
[12] Wrung out.
[13] On the awning to dry.
[14] The chief engineer’s stuffed birds.
[15] Quiet nap in a ripe Stilton.
[16] The use of cat gut.
[17] The “breakage book”.
[18] The gun “loaded and left”.
[19] A trail of curses.
[20] Its final ricochet.
[21] Hunted “by order”.
[22] Through a skylight.
[23] “Con——!!!”
[24] In the surgeon’s berth.
[25] Refuge below.
[26] Requies-Cat in pieces.
[27] A well-worn back cover.
Thanks to Hester Viles.
♦