“They wanted all I could
possibly write about The Shadow. Then for fifteen years, using the pen name
Maxwell Grant, I sat before the typewriter doing a million words a year, mostly
on The Shadow and Cranston, the chief character. It got so I could smash out
these stories with the regularity and rhythm of setting up exercises.” — Walter
Gibson, Writer Returns After 30 Years, in Utica Observer Dispatch, October 4, 1947
THE FIRST Shadow story, The Shadow of Wall Street, appeared in the February
1929 issue of Fame and Fortune, written by former dime novelist George C.
Jenks, writing as Frank S. Lawton. Fame and Fortune was a casualty of the stock
market crash. The Shadow of radio began as a voice used to promote Street &
Smith’s new Detective Story Weekly. The Shadow’s sepulchral chuckle caught on
with listeners and his background and his identity of Lamont Cranston were
devised by Ruthrauff & Ryan, a Chrysler building ad agency.
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THE QUARTERLY (soon monthly) pulp series began with The Living Shadow in
April-June 1931 and lasted until summer 1949. Walter Gibson (b.1897), a former reporter
on a Philadelphia daily, writing as Maxwell Grant, churned out 287 novel-length
stories in the first fifteen years. Maxwell Grant’s books were reprinted in the 1960s – in paperbacks from Belmont and Bantam – books which introduced The Shadow to a
new generation of fans.
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I became aware of the Shadow during the radio nostalgia revival of the 1960s, so when the paperback reprints came out I read them. It puzzled me--it still puzzles me--how different the two versions were. Yet both survived independently for years. I wonder why there wasn't pressure from the top to "unify the brand." Today no one would dream of simultaneously having two different origins and two different secret identities for the same character. Or wasn't that sort of thing important to 1930s media corporations?
ReplyDeleteQuem sabe do mal que se esconde no coração dos homens?
ReplyDeleteO Sombra sabe!
Quem se lembra????